The best of Gary Hoey: selections from Animal instinct and by Gary Hoey

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By Gary Hoey

12 tunes from his never-ending summer season II soundtrack and natural instincts albums, together with: Linus and Lucy * Low Rider * Surfdoggin' * Bert's front room * and extra.

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What becomes relevant then is the speed by which the beats are played. To this end, a number of approaches on tempo tracking or foottapping 4 have been proposed. Before its application to MIR, tempo tracking has been applied to interactive music systems, using both Midi [3] and audio [37]. The general approach is to highlight a periodic structure in the amplitude envelope of the signal, for instance using a self-similarity matrix [115] or the autocorrelation function [17]. Tempo tracking systems will give a very general description of the musical work content, which nevertheless may be considered relevant for users interested in creating mixes of songs, where tempo coherence is important, organizing playlists for parties or retrieving music that they intend to dance.

SMDL provides a linking mechanism to external, preexisting formats for visual representation or storage of performances. Hence SMDL may be a useful way for music representation standardization, but the solution is just to collect different formats rather than proposing a new one that is able to deal with all the aspects and dimensions of music. 1 Symbolic formats The main aim of most symbolic formats is to produce a high quality printout of musical scores. They are thus more oriented toward the visual representation of the information in the score and are not aimed at representing information about musical structures and dimensions.

To this end, an interesting user study is reported in [137]. A number of subjects were asked to assess the effectiveness by which different algorithms extracted the main melody from a polyphonic score. Quite surprisingly, subjects gave a higher score to the algorithm that purely extracted the Fig. 1 Main melody of the score shown in Fig. 1. 44 Music Processing Fig. 2 A melodic line extracted from the score shown in Fig. 1. 1 The extraction of the main melody is an error-prone process. For instance, the extracted melody can have notes from other voices or the wrong voice can be picked up as the representative melody.

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